Nikon F3 HP
There’s something deeply satisfying about shooting with a classic SLR and the Nikon F3HP delivers that satisfaction with every frame. Loading a fresh roll of Harman Phoenix II film into the F3 was as straightforward and tactile as expected from a professional grade body. Flip open the back, slot in the canister, pull the leader across to the take up spool, wind and fire until the perforations are aligned, then close it up. The solid film advance lever clicks into place with confidence and you’re ready to shoot.
The Nikon F3, released in 1980, was Nikon’s professional flagship throughout the 1980s. It was famously designed by Giorgetto Giugiaro and used by photojournalists around the globe. The “HP” version (High Eyepoint) features a redesigned viewfinder that offers a brighter and more accessible experience, especially for glasses wearers. Paired with the Nikon Series E 50mm f1.8, a compact and sharp lens from Nikon’s budget friendly E line, you get a lightweight but incredibly capable kit. The Series E lenses were originally made for the Nikon EM, but they’ve stood the test of time in terms of optics and build. This particular lens is cosmetically is very good condition and the optics are clean. In use I did notice the focus ring to be slightly tight however once I was in the rhythm of photographing and composing the shots it did't bother me at all.
The F3 features a reliable centre-weighted TTL meter, visible through a fantastically clear LED readout in the viewfinder. The display is minimalist, it features a simple +/–/0 system that keeps you focused on the frame rather than fiddling with settings. Metering with the F3 felt intuitive and trustworthy, even under changing light. Manual focusing through the large, bright viewfinder was precise, especially when combined with the crisp image the Series E lens delivers.
This roll was shot during Plymouth Bike Nights on Plymouth Hoe, where the late sun and glinting chrome details from the bikes made for a perfect photo outing. The F3HP felt incredibly solid yet comfortable in hand. Every dial, switch and control felt like it had been machined to perfection. This particular body was in exceptionally good condition, clean, smooth and has clearly been cared for. All in all it was a fantastic shooting experience.
The real surprise came from the film, Harman Phoenix II. It is the newest emulsions from Harman Technology and it brings a unique flavour to colour photography. Phoenix II offers punchy colours with a slightly warm tone, sharp grain and strong contrast. It captured the vibrant decals, paintwork and reflections on the bikes with real impact. Even as the light dipped in the evening, the film held its own.
The F3HP is built like a tank yet never feels clunky. The camera’s all metal construction gives it reassuring heft but the smart layout and ergonomic grip make it surprisingly easy to shoot one handed or on the move.
In conclusion, shooting the Nikon F3HP paired with the Series E 50mm f1.8 was a deeply enjoyable experience. The combination of precision engineering, clear metering and fast glass made it ideal for capturing both the mood and mechanical detail of Plymouth Bike Nights. The Phoenix II film brought a fresh look to classic subjects and the F3 delivered each frame with confidence. It’s easy to see why the Nikon F3HP has earned its place as one of the most respected 35mm cameras ever made, it is a true workhorse of a camera.